Retaining the ephemeral to define the human. Lorenzo Gramaccia does not indulge reality: he reveals its structural fragility.
2023–2025
OVEREXPOSURE
Light does not illuminate; it blinds. Color is pure radiation. Body and landscape collapse into a single vibration at a high chromatic frequency. The boundary between the organic and the artificial dissolves. It is not vitality: it is the urgency of a burning present. An inescapable form.
Carezze cieche,
2023
Volti all’Oriente,
2023
Ti respiro sottovoce,
2024
Vele dorate,
2025
Notturno,
2025
Lumière sur la Seine,
2025
Vestigia,
2025
Corpus Mundi,
2025
Oasis,
2024
Itaca,
2024
Hanami,
2024
Vertigine,
2025
Saudade,
2025
Giada dormiente,
2025
Catalogo completo
2020–2023
ECLIPSE
The digital as a specter. The investigation descends into the shadows, and the porosity of graphite is sublimated into the digital layer, in a technical continuity that becomes an existential synthesis. Colors retreat to black and white: a dramatic minimalism exploring absence. This subtractive introspection reveals the evanescent nature of being.
Resta qui,
2021
Ecce Femina,
2023
Icon,
2021
Margherita,
2020
Avvinghiato alla mia anima,
2023
Fai che io per te sia l’estate quando saranno fuggiti i giorni estivi,
2022
Desiderium,
2020
Recordari,
2021
Quasi di materia pare,
2022
Full catalogue
2013–2020
SEDIMENTATIONS
Matter as memory. Paper does not forget: pencils and pastels, in dialogue with tempera and oils, accumulate on semi-transparent surfaces, giving body to the ephemeral. Every layer resists oblivion, in a tactile gesture of retaining time within the density of matter — a slow sedimentation against disappearance.
Ermione,
2015
Eden,
2017
Memoria,
2013
Teresa’s heart,
2018
Art does not save us from the end.
It makes it visible.