Ecce Femina, 2023
Archival pigments on cotton paper mounted on aluminum, hand-finished wooden floater frame.
65 × 100 cm (25 ⅝ × 39 ⅜ in); 68 × 103 cm (26 ¾ × 40 ½ in) framed
Edition of 5
The artwork stems from a stratification of signs and compositional planes, elaborated by the artist through digital painting. It is realized on Hahnemühle Museum Etching paper and mounted on Dibond according to museum standards, ensuring high stability and conservation over time.
Signed and numbered on the reverse. Accompanied by a certificate of authenticity on watermarked paper with unique holograms.
The night cleaves under an exact light. The abandonment of white flowers becomes the gravity of a reclining body.
A sculptural figure surfacing in the silent vertigo.
Yet, this monumentality rests on dust.
The graphite fragments into a multitude of imperceptible marks. Slender traces that seek and overlap each other, until they become a choral breath.
As in a secular deposition, Ecce Femina strips the iconography of martyrdom to turn it into rebirth.
Oppressed fragility transforms into a collective urgency. A necessary resistance.